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SKRZEK, JOZEF - Pamietnik Karoliny - CD 1978 Metal Mind Productions








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Category:

Rock /
Manufacturer: Metal Mind Productions
Original release year: 1978
Manufacturing year: 2009
Cat. Nr.: MMP CD 0535 DG
Barcode: 5907785030404
Medium:CD
Weight:58 g
Country:Poland
Extras:Digipack
Processing time:5 days
Link auf die Plattform der EU-Kommission zur Online-Streitbeilegung: http://ec.europa.eu/consumers/odr

JÓZEF SKRZEK is an immense personality in the Polish scene and history of modern music and rock, plus can be regarded as a fine musician and an elite artist within the European Rock scene itself. If fans of the tremendous jazz-rock-prog band SBB are numerous and (wildly) from all around the world, the solo reply of this band's lead artist can also attract interest, whilst being regarded as good, rather different and not the same at all times. Up from the basic roots of playing, performing and personalizing music, with an artistic twist all the way, SKRZEK specialized in piano music, with studies that started in high-school and ended, abruptly, at the Music Academy. It was after he finally returned to the professional scene that the major orientation landed on the heights of rock, jazz, electronic sound and art music (these four also being, more or less, the imperative styles that circled, cycled and cessed through his career).

Playing bass and a specialty of piano, keyboards and moogs, SKRZEK formed a debut band called BREAKOUT, considered big in the heat of the Polish Rock's 1970 moment. Fundamentally followed, nevertheless, SBB, a band closer to defining than just starting the progressive rock refined movement in Poland, with a close-up of many excellent records and much art, by the spirit and the choice of jazz, rock or pure prog (or anything in between). Though his fellow colleagues are themselves personalities and impregnable players, SKRZEK relentlessly gets the credit for SBB, whether his impulse was beyond the meaning of the music or whether his sensibility shined thoroughly. SKRZEK manages, collaborates and concerts to this day with SBB, despite that, after the busy 70s, he intermingled between doing a lot of different and individualistic projects (with music yet also different and mark-breaking) and playing in the colossal band, up different performances or recordings.

Józef SKRZEK's solo debut took place in 1979, after which, during already two decades and a half, he played, composed and released with a steady rhythm and fidelity, while all sort of various projects flew nearby - his music, nevertheless, evolved differently and (why not) eclectically. The debut album itself was a bit shaky for the tastes of prog rock and SBB-descending art, but immediately after followed 'Ojciec chrznestny Domnika', one of the best albums he ever made (if not probably the best), also one of the progressive gems, since it combines symphonic traits with art rock and fusion music so well. The 80s are overall interesting thanks to a lot of collaborations and insightful recordings, though the greatest are film projects. 'Ambitus Extended' (1983), made in collaboration with Tomasz Szukalski, sounds already like a new leap - one made into the electronic suffrage, with a sense of music a bit more powerful than all his previous moog-sessions. SKRZEK's virtues in rock, fusion and lyrics made him continue with different projects throughout the 90s, powerful being two complex albums with Lech Majewski, one or two discrete concerts (from jazz bites to soap prog), plus smaller projects burning the artist's mark of good nous. From a passion in organ music (which started in the 80s), some of his newer concepts seem to imply a religious context - meanwhile, the pleasure for lyrics makes some other projects a prudent display of soft music and strong verses. SKRZEK's most recent solo years are of a healthy quality, with different ambitions that don't cross over a sincere quality, plus with the choices between easy prog rock, blend composition and electronic arrangements (2007's 'La Tempete') reclining frequently.

The variety of SKRZEK's musical efforts also included ethnic, cult, organ, romantic or festival music, concerts held in special places, music for films and ballet, video arts and producing, rock bookings operas and theater compositions.

Given the SBB legacy (which isn't faint, but neither too cordial) and the assorted dreams of music, rock and art, Józef SKRZEK can really be a significant musician, with a career made of a hundred visions. Least of all, much of his music is of a progressive character, if not of also a beautifulness you can discover and melt into.

(sources include official bio, notes and reviews)
:::Victor 'Philip' Parau (Ricochet):::
Tracklist:

Pami?tnik Karoliny
1. Narodziny 2:36
2. Zabawki 2:34
3. Szko?a 4:02
4. Przyja?? 4:04
5. Mi?o?? 6:31
6. Przygoda 6:23
7. Koncert 4:27
8. Szcz??cie 4:11
9. ?wiat 3:25
10. Karolina 2:35
Na 1013 kilometrze
11. Na 1013 kilometrze 3:23
12. Klawesynek 3:26
13. Nieco liryczny tercet 3:55
14. Krakatau 6:10
15. Zatoka nadziei 3:26
16. Tu? nad kana?em Ulgi 4:41
17. Perliste ?eglowanie 4:53
18. Zwierciad?o królowej ?niegu 4:33
19. Ko?ysanka dla Aluni 3:32





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