NEW: ELECTRIC ORANGE - Unterwasser Vol. 1 - 2 LP (blue/black) Adansonia Records • ATILA - Reviure - LP WahWah • ASTRAL SON - Wonderful Beyond - CD Sulatron • NEIL ARDLEY - A Symphony Of Amaranths - LP 1972 WahWah • ZEMENT - Klinker - LP (transparent blue) Sunhair • ZEMENT - Klinker - CD Sunhair • ZEMENT - Klinker - LP (black) Sunhair • FAPARDOKLY - Fapardokly - LP Guerssen • FIRST BAND FROM OUTER SPACE - We're Only In It For - 2 LP (silver) Space Rock Pr • MUGSTAR - Collapsar - 2 LP Evil Hoodoo • ANNEXUS QUAM - Beziehungen - CD 1972 Krautrock ZYX • SUKELLUSVENE - Vesi - JA LINTUMUSIIKKIA LP 1979 CD Svart • MU - Mu - LP 1971 Guerssen • KLAUS BLACHUT - 1982 - CD Self release • FIRST BAND FROM OUTER SPACE - We're Only In It For - 2 LP (black)Space Rock Prod • HALTET AUS! DESPERADO KOMMT - Live! - CD 1978 + Bonustracks Sireena • ELECTRIC RIDERS - Music for a family gathering - CD 2007 Digipack Naso • NIXON NOW - The Now Sound - LP Elektrohasch • CARPET - About Rooms And Elephants - LP Elektrohasch • PETARDS - Petards - LP 180 gram Vinyl Bear Family • PETARDS - A Deeper Blue - LP 180 gram Vinyl Bear Family • PETARDS - Hitshock - LP 180 gram Vinyl & A3 Poster Bear Family • UFO ÖVER LAPPLAND - Ufo Över Lappland - LP Sulatron • UFO ÖVER LAPPLAND - Ufo Över Lappland - CD Sulatron • SHERPA - Tigris & Euphrates - CD Sulatron • SHERPA - Tigris & Euphrates - LP Sulatron • HERBERT BODZIN - Revival II- The Electronic Tapes 1979 1982- LP • SCHULZE, KLAUS - Miditerranean Pads - CD 1974 + Bonustracks MadeInGermany • MOUNTAIN TAMER - Godfortune / Dark Matters - LP (clear) Nasoni • MAX TOVSTYI - Mesmerize - LP (clear) Nasoni • >SOON:

SCHULZE, KLAUS - Dig It - LP 1980 Brain

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Category:	Krautrock / Elektronik
Manufacturer:	Brain
Original release year:	1980
Manufacturing year:	2017
Medium:	LP
Weight:	280 g
Country:	Germany
Processing time:	1 day
Link auf die Plattform der EU-Kommission zur Online-Streitbeilegung:	http://ec.europa.eu/consumers/odr

Klaus Schulze about 'Dig It':
With 'Dig It' I did all the work with the computer for the first time, and in this respect it was my first 'digital' album. I played and mixed everything with this G.D.S. A really tremendous gear! The sound was caustically clean. So I told myself: As I already have this gear I will really do everything with it. The drums were the only thing I had to record on a separate track because the G.D.S. had no drum sounds. So I got hold of Fred Severloh to play live drums on 'Death Of An Analogue'. For this pounding rhythm, I thought, you really need fat drums! But it was - just the same with my vocoder voice which you can hear on this song - only a matter of the right dramaturgy, the right effect. It wasn't my consideration just to bring in another 'human' element because I don't make such a distinction. For me electronics are as human and natural as any other instrument. Violins, as I always say, don't grow on trees either! For 'Weird Caravan' I had borrowed a loop by Ideal. Usually, I don't borrow anything. I do all loops and samples on my own. But in this case Ideal's drummer [Hans-Joachim Berendt] played something which I found really great. I said: 'Do you mind if I cut out 1,5 meters here?' Using two tape machines I glued the tape together and run it as a loop - because, you know: 'The looper isn't a hooker.' Even when you're repeating yourself you're still no whore, haha. The bonus title, 'Esoteric Goody', is a very abstract piece of music. I have again listened to it after a long time now. It reminds a bit of the intro for 'Destination Void' from the 'Mirage' album [1977]. But then this song featured a real mellotron, the heavy mechanics, not a sample. 'Esoteric Goody' originated during the phase of 'Dig It', so I think it fits well as a bonus track for the 'Dig It' CD. The song shows the experimental side of Schulze. The 'Stahlsinfonie' (Symphony in Steel) on the bonus DVD is a recording of my concert at the 'Ars Electronica' in Linz, Austria, back in 1980. On September 8th I had opened this festival following an invitation of the ORF (Astrian Broadcasting Corporation). I have played in the big hall of the Brucknerhaus, and from the outside sounds were transmitted which were made by the steel workers of the steel works VOEST-ALPINE. But I wouldn't want to use their sounds as a playback recording made beforehand - I wanted them to play live! The promoters made it work by using various telephone lines. Along the river Danube there were PA towers erected at a distance of two or three kilometres so really the entire city of Linz could listen to the music. At the end of the concert, the workers joined me on stage.