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MATTHIAS HORNDASCH - How Long … Does A Heart Beat? - CD MadeInGermany








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Category:

Jazz /
Manufacturer: MadeInGermany
Original release year: 1983
Cat. Nr.: MIG80292
Barcode: 885513802927
Medium:CD
Country:USA
Extras:Digipack
Processing time:1 day
Link auf die Plattform der EU-Kommission zur Online-Streitbeilegung: http://ec.europa.eu/consumers/odr

With his fourteen compositions Matthias Horndasch is introducing himself like some kind of ghost whisperer; not only in the parts where his inspirations are to be heard clearly: so happens with 'Northern Ways' (where Jan Gabarek and his pianist Rainer Brüninghaus are greeting from not a far distance), but also with 'Petit Prière' (which is including a citation out of the French folk song 'Frère Jacques'), but most intense with 'Thula Baba'. This South African folk song has been part of Miriam Makebas repertoire.

If the unique and powerful piano sound on this record is even rooting somewhere along Matthias Horndasch's past, it is in this - one can hear the echo of rolling sequences with the left hand and the mounting up chords played with full hands, which Abdullah Ibrahim (or Dollar Brand) added to the jazz history; and who had the pleasure meeting Chris McGregor and his Anglo-African all-star-band 'Brotherhood Of Breath' once in his jazz-life will be listening closely here. Horndasch's relations to the African music culture always have been and still are very close; and he is using them without any colonialistic arrogance. Africa has grown a partner for him, to whom he is loyal until today.


This unreleased recording from the year 1983 will not be considered in a historical context, because the here acclaimed musical art and the art of encounter stand for its own and for eternity, above any historical developments.

Heinz Sauer, by the way currently as active as in the here presented production thirty two years ago, proves that he's is one of the greatest sound magicians of tenor saxophone, who isn't simply keeping the once found tone as a frugal achievement. Indeed the tone is in the middle of the event, as a kind of calling card, mostly audible, but always breaking up in colours of overblowing, jagged depth or in euphony of singing hight. His vibrato plays a creative role full of variants instead of a simple mechanical. In addition here, in the most exciting, smallest alliance of Jazz, the duo: the dutch virtuoso of keyboards Jasper Van't Hof, who with his erratically versatility, his fanciful humor and fancy talking, never loses the plot or his concentration. Nothing can stand between Jasper and his intellectual superior steered technique. That he's one of the most likeable living jazz musicians, with a warming mood for interpersonal relationships, should be attached as a personal remark.

The program opens with a rhythmically unbound, recitative attunement, leading to Van't Hof's theme 'Merel'. We have to look for an indication for this kind of 'free but not Freejazz' that happened here, in the song 'A Classical Preacher' until the end of the concert with the motivic suggestions on highest level, the joy of playing and the brilliant cross interlocking relationship, the way freedom and relationship dance around each other, the way Van't Hof's sparkling virtuosity and Sauer's sound cosmos found common ground and fell apart.


Diese bisher unveröffentlichte Aufnahme aus dem Jahr 1983 will nicht historisch betrachtet werden. Denn die hier gefeierte Ton- und Begegnungskunst steht sozusagen über geschichtlichen Entwicklungen monumental für sich selbst und die Ewigkeit.

Heinz Sauer, derzeit übrigens noch genauso aktiv wie bei der hier vorgestellten Produktion vor zweiunddreißig Jahren, zeigt sich als einer der größten Klang-Magier des Tenorsaxophons, der nicht den einmal gefundenen Ton als genügsame Errungenschaft heraushängt. Der ist zwar in der Mitte des Geschehens, als eine Art Visitenkarte, meistens hörbar, bricht aber immer wieder auf in Überblasfarben, schartige Tiefen oder in den Schönklang sanglicher Höhen. Auch das Vibrato spielt eine absolut nicht mechanische, sondern variantenreich gestalterische Rolle. Dazu nun also, in der spannendsten, kleinsten Gemeinschaft des Jazz, dem Duo: der holländische Tastenvirtuose Jasper Van't Hof, dessen unberechenbare Vielseitigkeit, phantastischer Humor und stete Gesprächslust nie seiner Konzentration und intellektuell souverän gesteuerten Technik im Wege stehen. Dass er einer der sympathischsten lebenden Jazzmusiker mit einer wärmenden Lust an zwischenmenschlichem Kontakt ist, sei als persönliche Anmerkung gestattet.

Das Programm eröffnet mit einer rhythmisch freien, rezitativischen Einstimmung, die auf Van't Hofs Thema „Merel' hinführt. Was dann und im „A Classical Preacher' von Heinz Sauer und weiterhin bis zum Ende dieser Konzertaufnahme mit den motivischen Anregungen von höchster Finesse, was da an Spiellust und genialer Beziehungsverflechtung passiert, wie sich Freiheit und Bindung um einander drehen, wie Van't Hofs perlende Virtuosität und Sauers Klang-Kosmos zu- und auseinander kommen - für diese Art von freiem Nicht-Free Jazz muss man eine Bezeichnung erst noch finden.





MATTHIAS HORNDASCH - How Long … Does A Heart Beat? - CD MadeInGermany

Price: EUR 15.36

Jazz
MadeInGermany
USA / 1983

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